Mark’s music is motivated by extra-musical processes of invention. His practice is focused on the parallels found between architectural space and musical time. His spatio-temporal renderings are steadily reaching wider audiences with recent performances across Europe, North and South America and Australia.

Mark is a graduate scholar of the Royal College of Music, Master of Music in Advanced Composition Programme, earned his Bachelor of Music with Honours in Performance from the Victorian College of the Arts – University of Melbourne and his Bachelor of Music in Composition from the Elder Conservatorium – University of Adelaide.

His concert music has received recognition through commissions by Hans Westerman AM, Núcleo Música Nova, British Harpsichord Society, National Portrait Gallery UK and the Melbourne Symphony Orchestra; with premiere highlights at venues including Teatro da Reitoria Brazil, Handel House London, St Martin-in-the-Fields, the National Portrait Gallery UK and the Melbourne Recital Centre.

In 2017, Mark was announced the winner for both the Flute New Music Consortium Composition Competition for his solo flute piece Hamarøy Troll and the Etymos Ensemble Composition Prize for Umbra-Penumbra-Antumbra for vibraphone. Mark is currently undertaking his PhD candidature at Queensland Conservatorium, Griffith University.