Matteo Tundo is an Italian composer. His primary interest in composition is the perception and cognition of the sound event, the neural mechanisms that lead to the signification of sound. His work is focused on the application of the neuroaesthetic in music composition. After his early studies in classical guitar, he obtained a Bachelor's degree in Jazz guitar, studying with Umberto Fiorentino at the Conservatory “Luigi Cherubini” in Florence and then a Master's degree in Music and New Technologies. Later he specialized in the Master Sound Technologies and Music Composition at the Conservatory “Arrigo Boito” in Parma. He studied with Marco Ligabue, Alfonso Belfiore, Javier Torres Maldonado, Alvise Vidolin, Laura Zattra, Giorgio Colombo Taccani, Angelo Farina, Esther Lamneck, Emilio Ghezzi and many others. He attended masterclasses in composition with Achim Bornhoeft, Daniel D'Adamo, Iñaki Estrada, Patricia Alessandrini, Karlheinz Essl, Gianvincenzo Cresta and others.
His music has been played in several Countries: Italy, Germany, United States, Iran, Korea, Japan and He participated as composer at international music festivals: Labirinti Sonori, Diffrazioni Festival, Estate Fiesolana, Cluster Music Festival, MUSLAB, OUA-EMF, New Music Day.
Matteo is a member of ESCOM (European Society for the Cognitive Sciences of Music).
He has released three albums: Acatalepsy (Music Republic 2014), Zero Brane (Aut Records 2015) and Equilibrio di Hardy-Weinberg (Antimateria Lab 2017).