A real talent for composing opera, an immediate expressive power and a great sensitivity for dramaturgy: these are some of the qualities that characterize the work of italian composer Elisa Quarello. 2014 she brilliantly graduated in Composition from Conservatory of Music "G. B. Martini" of Bologna (Italy). She studied with Francesco Carluccio and attended to both composition masterclasses with Salvatore Sciarrino, Manfred Trojahn, Luís Tinoco and opera workshops with Martin Crimp and Klaus Bertisch. Elisa Quarello graduated also in Choral conducting in 2010, in the same year she got the Bachelor degree in Italian Literature and in 2014 the Master degree in Italian Philology and Literature both at University Ca' Foscari of Venice.
In January 2014, she won the "Neue Szenen II" International Composition Competition of Deutsche Oper Berlin. The jury has conferred her an award and the commission of a new opera, “OHIO-ObstHaine Im Oktober”, that had its debut in April 2015 at Deutsche Oper Berlin to a large audience and had very positive critics.
She won also the “Felice e Luigi Magone Composition Award„ of Conservatory of Bologna (2011) and the Honourable Mention of the “International Award Palazzo del Majno-Torquato Tasso„ (2010). She also collaborated with "Zero Crediti" ensemble and with the cello ensemble "Bologna Cello Project", for which composed the opera, "Lohengrin - Bologna, 1871", inspired from Lohengrin of Richard Wagner and Macbeth of Giuseppe Verdi (2013).
In July 2019 her composition “Good body, I thank thee!” for soprano, baritone and orchestra with texts in English and Portuguese languages by Fernando Pessoa and William Shakespeare had its debut with Gulbenkian Orchestra of Lisbon at Gulbenkian Foundation. In December 2019, her new work for chamber ensemble "Io nel pensier mi fingo" -inspired by the poem "Infinito" of Giacomo Leopardi, was premiered by FontanaMIX Ensemble of Bologna at the concert “Infinito (1819/2019) alla luna: 15 messaggi a Giacomo Leopardi”.
Elisa Quarello concentrates on opera, folk music and on archaic musical, theatrical and textual arguments. Her other interests are compositions on various texts, poems and plays written in different languages: in most cases, she generally writes the texts herself or re-elaborate pre-existing texts. Consequently, she researches a musical style that follows and increase the musicality of languages.
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