Michael (b. 1999) is a composer of acoustic, acousmatic and electroacoustic music. Internationally acclaimed for his implementation of electroacoustic and aleatoric concepts in both acoustic and electronic musical paradigms. At the core of his current music research, he explores the poly-holophonic gestural synchronicities and tensions between voices through quasi-procedural granulations, spectromorphological sonic sculpting, stochastic algorithmic modelling, machine-learning decisional procedures and generative synthesis.

In 2022, he was the Summer Undergraduate Research Fellow at Hong Kong Baptist University investigating the topic Motion Driven Human Artificial Intelligence Collaborative Music Composition and Performing System. He was selected for residency at the Hong Kong New Music Ensemble as part of the CoLab: Sonic-Visual Interplay project in 2023. At the São Paulo Contemporary Composers Festival in the Summer of 2024, Scrawling Palimpsest premiered with L’Arianna Quarteto. In the Luigi Nono Summer School at the Orpheus Institute (Ghent), he attended seminars and masterclasses extensively on Nono’s music and historically informed electronic practices by Jonathan Impett and Juan Parra Cancino.

Michael has studied composition extensively with Kenneth Hesketh, Alison Kay, Christopher Keyes and Stylianos Dimou, and has taken specialist IRCAM courses with Simone Conforti on electroacoustic music.